Allen & Heath

AH-Allen & Heath SQ-6 48-Channel / 36-Bus Digital Mixer B-Stock

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MPN:
SQ-6
Condition:
Used
Availability:
Usually ships within 2 business days when in stock.
  • Allen & Heath SQ-6 front left
  • Allen & Heath SQ-6 front
  • Allen & Heath SQ-6 front right
  • Allen & Heath SQ-6 back left
  • Allen & Heath SQ-6 back
  • Allen & Heath SQ-6 back
  • Allen & Heath SQ-6 back right
  • Allen & Heath SQ-6 side left
  • Allen & Heath SQ-6 side right
$4,585.00

Description

Used – Good: This item was a manufacturer/rep demo unit and was lightly used. The item is in good condition and is fully-functional but shows signs of wear from use. It may have markings and minor cosmetic damage.

** This unit is in the original manufacturer packaging. We have not opened the box to take photos of this particular unit.

The Allen & Heath SQ-6 is a Compact Digital Mixing 48 channel, 96kHz digital mixers for live sound, AV and installation. Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ is built for professionals in demanding live sound, recording and streaming applications. Delivering class-leading high-resolution audio with an ultra-low <0.7ms latency, SQ gives you unrivalled power and audio fidelity.

SQ-6 Mixer Includes

  • 24 Onboard Preamps
  • 14 Line Outputs
  • 25 Faders / 6 Layers
  • 16 Assignable SoftKeys
  • 4 Assignable Soft Rotaries
  • 96kHz FPGA Processing
  • 48 Input Channels
  • DEEP Processing Ready
  • 12 Stereo Mixes + LR
  • 3 Stereo Matrix
  • 8 Stereo FX Engines + Dedicated Returns
  • 64×64 I/O Port for Audio Networking
  • 32×32 USB Audio Interface
  • Range of Remote Expanders

FEATURES

  • Drag-and-Drop Layout – Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the displays, allowing you to build a mixing environment that works for you.
  • At-a-Glance Metering – Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
  • Intuitive Control – SQ’s dashboard is centred around a high-res 7” touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control.
  • Speed Up Your Workflow – All SQ mixers feature SoftKeys which can be assigned to commonly used functions. The SQ-6 and SQ-7 also provide assignable Soft Rotaries for even more custom control.
  • Powerful Processing – Every input has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser with RTA, and Peak/RMS compressor for control and shaping of levels and transients.
  • Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required.
  • World-Class FX – SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more.
  • Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.
  • Record. Stream. Mix. – SQ’s built-in 32×32 96kHz audio interface enables easy multitrack recording, backing-track playback, livestreaming and virtual soundcheck.
  • The interface is class-compliant on Mac OS X making it truly plug ‘n play, with ASIO and WDM compatible drivers available for Windows computers.
  • You can even map the SQ’s faders, rotaries, channel keys and softkeys to control your favourite DAW using the Allen & Heath MIDI Control app.
  • Record to USB – The integrated SQ-Drive makes it quick and easy to capture and playback 16 channels (96kHz), 32 channels (48kHz), or a stereo recording of the performance direct to a USB key or drive.
  • No software setup, no soundcard driver issues and no extra laptop to bring to the performance.
  • Automatic Mic Mixer – SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system.

 

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